ROBERT ASMAN
For most of the last thirty-five years, Robert Asman has been devoted to investigating and stretching the conceptual and technical boundaries of silver prints. As an alchemist of the dark room, Asman’s creations come to form in the darkroom through the boundless manipulation of paper negatives and chemicals. His explorations and technique bind human form, urbanism and nature. Asman approaches art making as a transformative process, in which he mines the physical properties of his materials to create a work on paper in which process and image are one.
The artist of these magnificent works on paper was born in Washington, D.C. where he received a BA from Catholic University in 1973 and an MFA from the renowned photography program at the Rochester Institute of Technology, Rochester, NY in 1975. After a brief return to Washington, Asman lived for thirty years in Philadelphia where he taught photography at Moore College of Art & Design, Drexel University, the University of the Arts and the University of Pennsylvania. Asman has received multiple honors throughout his career, such as a Fellowship from the Pennsylvania Council on the Arts and a Pew Fellowship in the Arts. His work has been exhibited in solo and group exhibitions both nationally and internationally, including at the Institute of Contemporary Art in Philadelphia and at Galerie Paviot in Paris. Asman’s work can also be found in numerous permanent collections, including The Philadelphia Museum of Art, The Library of Congress in Washington, D.C., and the Smithsonian American Art Museum in Washington, D.C.
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Robert Asman speaks at Artetude Gallery
"Flesh and Vapor" an exhibition by Robert Asman
In this video, we explore the relationship between "Flesh" and "Vapor" of four pairs of mono prints using an image transmutation process. This "In about a Minute" video will introduce you to Robert, the "Flesh and Vapor exhibition and his approach to the art of the photographic monoprint.
In approximately 20 works, "Flesh and Vapor", Robert endeavors to bring together two themes, clouds/vapor and body/flesh, into a shared construct in which the textures, shape and sensuality of the human form are reflected in, and in turn reflected by, the ethereal and evanescent nature of the cloud.